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Free Ebook , by Mary Gordon

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Free Ebook , by Mary Gordon

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, by Mary Gordon

, by Mary Gordon


, by Mary Gordon


Free Ebook , by Mary Gordon

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, by Mary Gordon

Product details

File Size: 774 KB

Print Length: 155 pages

Page Numbers Source ISBN: 1611807670

Publisher: Shambhala (January 15, 2019)

Publication Date: January 15, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07DZJ786F

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Amazon Best Sellers Rank:

#272,451 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

A very personal look at Thomas Merton, as author Mary Gordon strives to discover the answer to the question, “What kind of writer was he?” Gordon examines Merton’s letters, autobiography, and journals, and his book My Argument with the Gestapo (the inclusion of this section was puzzling to me). There is no real narrative here: It is a series of somewhat choppy observations that seem to jump quickly from subject to subject. I see it as a bit startling for the casual reader to pick up, and it is definitely not for readers who are new to Merton. Some interesting observations, but a little too limited in scope for the reader seeking a wider view and more inspirational take on Merton. I received an advanced reader’s copy from NetGalley in exchange for a fair review of this title.

Mary Gordon paints Thomas Merton the monk-writer by opening to us his many journals and his correspondence. Here in September 1, 1949, we view Merton’s early declaration of his intention:“If I am to be a saint, I have not only to be a monk, which is what all monks must to do become saints, but I must also put down on paper what I have become. . . . It is not an easy vocation. To be as good a monk as I can, and to remain myself, and to write about it: to put myself down on paper . . . with the most complete simplicity and integrity, masking nothing . . . It is a kind of crucifixion.”We see Merton’s friendship with Czeslow Milosz develop later in the 1960s. Merton complains of his double censorship, first by the Catholic Church and then by the secular publishing world. It is a road he blazes nevertheless, while remaining loyal to both audiences as seen in his numerous books of poetry and creative prose (most published by New Directions Publishing) and in his religious examinations done through the Catholic publications.Mary Gordon culls from Merton’s seven volumes of journals his most penetrating self-insights. She advises us on his conflicted vision as writer, “…at the same time he is disgusted with himself and his writing, he feels a responsibility to continue”:“August 22, 1961I have a clear obligation to participate, as long as I can, and to extend my abilities, in every effort to help a spiritual and cultural renewal of our time. This is the task that has been given me, and hitherto I have not been clear about it:…by entering myself deeply into the disciplines and experience, not for myself only but for all my contemporaries who may be interested and inclined to listen. This for the restoration of man’s sanity and balance, that he may return to the ways of freedom and peace, if not in my time, at least some day soon.”Thomas Merton’s cultural and spiritual commitment is made clear here.Gordon offers this final praise, “The greatness of Thomas Merton: ardent, heartfelt, headlong. Life lived in all its imperfectability, reaching toward it in exaltation, pulling back in fear, in anguish, but insisting on the primacy of his praise as a man of God.”As fellow author James Carroll accurately points out, “Gordon is the ideal reader of Merton, matching his intelligence, irony, and authentic feel for the world beyond words. Her book brings his books back to life, and belongs with them from now on.” If Merton is to remain a living voice, it is from such honest and steadfast devotion as Mary Gordon’s On Thomas Merton.

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